Essay on the Theme of Nature in Antony and Cleopatra :: Antony Cleopatra Essays

Antony and Cleopatra:â The Theme of Natureâ â â â â â â â â â â â â â Nature, depicted as strange and cryptic, is an intermittent topic all through Shakespeare’s Antony and Cleopatra.â Cleopatra, the doomed sovereign of Egypt, is both puzzling and mysterious, and her enthusiastic force is well beyond nature’s incredible strength.â Whether portrayed in a positive or in a negative way, both nature and Cleopatra are depicted as being â€Å"great common forces.†Ã¢ Throughout the principal demonstration, the two are thoroughly analyzed by different characters in the play.â The primary demonstration, set in Alexandria, Egypt, makes way for the play and presents most of the on-screen characters. Scene two presents one of the significant subjects of the play, Nature.â This tactless, allusion filled scene has two of Cleopatra’s dear companions and one of Antony’s examining her and Antony’s life.â Charmian, one of Cleopatra’s closest companions, Alexas, one of Cleopatra’s hirelings (just as the connection among her and Antony), Enobarbus, one of Antony’s confided in Lieutenants, just as a Soothsayers are for the most part present and talking about their fortunes.â During this conversation, the Soothsayer states, â€Å" In Nature’s unending book of mystery/A little I can read† (I.ii.10-11).â The Soothsayer discloses to the others that there is little she can do outside of her forces, yet additionally what nature permits her to.â One of the primary references to nature and the secret that spins around it, this statement essentially exhibits how little influence the individuals have over something as incredible as nature.â Nature and the components encompassing it are essentially a puzzle to the individuals of Rome.â In his conversation with his instructing Lieutenant, Enobarbus alludes to Cleopatra, the sovereign of Egypt and Antony’s prospective sweetheart, as an incredible common power that is above nature’s powers.â In the second scene of the principal demonstration, Antony states, â€Å"She is tricky past man’s thought† (I.ii.145).â This announcement is then trailed by Enobarbus’ proclamation about Cleopatra: â€Å"†¦her interests are made of noth/ing however the best piece of unadulterated love.â We can't call her/winds and waters moans and tears; they are more noteworthy/tempests and storms than chronicles can re-port.â This/can't be tricky in her; in the event that it be, she makes a show’r of/downpour just as Jove† (I.ii.146-151).â In this statement, Enobarbus shows extraordinary regard and deference towards Cleopatra.â Not ju st does he protect her from Antony’s explanation, yet in addition he respects her with such high regard that he looks at her to Jove, the leader of the divine beings accountable for downpour, thunder, and lightning.